Slapstick:
Slapstick Comedy is a intentionally amplified form of performance that can illustrate a cartoonish reality. In the world of slapstick, characters are continuously getting injured, making faces, and motioning their limbs—all with a quick-tempered flexibility that can reset immediately. Both the humor and beauty of slapstick stems from its visible essence; preferably, all the audience has to is observe a performer to comprehend the gag.
The most effective way to understand slapstick comedy is to examine all of the characteristics and elements that are recognizable from several different shows and movies. Here are a number of core elements that can be used to recognize slapstick comedy. Physical Action: The center of slapstick is visible humor through actions as opposed to dialogue, including chases, pratfalls, collisions, slips and falls, and additional over-the-top stunts. Exaggerated Movements: Gestures and actions are excessive, usually involving a degree of fake violence such as pokes in the eye, pies to the face, and smacks on the head, which are made comical by the dramatization and shortage of realistic outcomes. Absurd Situations: Slapstick comedy usually position characters in irrational or highly unlikely scenarios (e.g., a house collapsing with a person inside who marvelously makes it out alive), contributing to a common sense of fun and silliness. Timing: Accurate comedic timing is crucial for the jokes to deliver successfully. The use of escalation, repetition, and anticipation escalates tension and guarantees the largest comedic result.
A few examples of slapstick comedies are Dumb and Dumber, Liar Liar, National Lampoon's Christmas Vacation, Paul Blart: Mall Cop, Christmas with the Kranks, etc.
Romantic Comedy:
A romantic comedy, also known a "rom-com", is a favored genre of film, theater, and literature that combines elements of humor and romance. The main focus is on a lighthearted, humorous plot that explores the growth of a romantic relationship between two dominant characters, following the course of attraction, conflict, and resolution, which eventually leads up to a happy ending.
Romantic comedies are established by four prime characteristics that mix humor with a emphasis on relationships. A Central Love Story: The main plot revolves around the evolution of a romantic relationship between two dominant characters, who are usually illustrated as "opposites attract" or in some form of early conflict. A Balance of Humor and Heart: The films use entertaining dialogue, situational comedy, or practical jokes to keep a carefree tone, which is leveled with authentic emotional moments and character vulnerability. Obstacles and Misunderstanding: The couple confronts numerous conflicts, like outside pressures (exes or family), miscommunication, or individual imperfections, that momentarily keep them separated and generate narrative strains. A "Happily Ever After" Ending: The story usually follows a foreseeable structure where the couple defeats their difficulties, frequently involving a "grand romantic gesture" and reconnects for a pleasurable and cheerful finish, convincing the audience that love defeats all.
Some examples of romantic comedies are 10 things I hate about you, 50 first dates, How to lose a guy in 10 days, and The Proposal.
Supernatural/Paranormal Horror:
Supernatural/Paranormal Horror in film concentrates on fear from forces far away from the natural world, such as demons, curses, ghosts, and possession, challenging real life with concealed, malicious entities in preference to physical monsters. For some people, theses hidden forces in horror movies and books can be more terrifying than the "visible" terrors. That is what the supernatural/paranormal subgenre provides. It gives viewers a rough layout of the danger and lets people mentally digest the details, as they prefer.
Using the main characteristics of the supernatural/paranormal horror subgenre is necessary for generating a successful film, so let's dive into what they are. Otherworldly Threats: The horror originates from non-physical beings such as poltergeists, ghosts, demons, or vicious spirits that function outside natural laws, frequently haunting or possessing places and people. Fear of the Unknown: It gains insight into the dreads of what cannot be scientifically explained, using invisible forces, incomprehensible phenomena (such as moving objects), and a feeling of looming presence to produce horror. Atmosphere and setting depend largely on generating tension through eerie environments, disturbing sounds, exaggerated lighting, and loneliness to increase anticipation and unease, as opposed to just gore. Religious/Mythological Themes: This category usually explores good vs. evil, devilish possession, spiritual conflict, the afterlife, or prehistoric curses, deriving from folklore, religious texts, and tales to surround the conflict.
Insidious, The Conjuring, The Ring, and Hereditary are all examples of the supernatural/ paranormal horror subgenre.
1. https://www.backstage.com/magazine/article/slapstick-comedy-definition-examples-76449/
2. https://nofilmschool.com/what-is-slapstick-comedy
3. https://nofilmschool.com/romantic-comedies
4. https://www.cornettfiction.com/supernatural-horror-genre-explained/
I decided to research three different subgenres that correlated within my three main genres which led me to slapstick, romantic comedy, and supernatural/paranormal horror. I was able to easily find articles and websites that gave me an in depth overview into the creation of films that use these subgenres. I haven't run into any major issues which makes me confident in knowing that I am on the right track to successfully creating my film. I am excited to narrow down and dive deeper into my options so that I can choose what my final genre will be.
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